GEOFF BROADWAY
April 1997
Contents:
Introduction: Digital Realist Montage
Part One: Contextualising Realism
Part Two: 2.0: John Heartfield: From Dadaism to Realist Production
Part Two: 2.1: Léger v Socialist Realism
Part Two: 2.2: Eisenstein's Montage
Part Two: 2.3: Some Theoretical Undercurrents: Brecht, Benjamin and Lukács
Part Three: 3.0: Realism and the Popular
Part Three: 3.1: Digital Montage and Contemporary Practice
Part Four: Conclusion: Digital Realist Montage
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