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Geoff
Broadway> Art Projects
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Small
Wonder - A sound, light and video installation
based around the reflections of
twelve participants who discuss the place of spirituality in their own
lives. The participants are influenced by faiths and traditions that include
Christianity, Buddhism, Taoism, Atheism, and Bahai.
2007 |
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it's
like love is
- A collaboration with artist Bobby Bird. This project reflects our interest
in creating a dynamic, responsive environment that invites viewers to actively
engage with the work. 2006 |
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Elders
- 18
speakers stand in a circle in a darkened room. Through these speakers 18
individuals talk, both in turn and together, of things that matter to them,
reflecting upon lived experience, weighing up the most important things
about their life. 2002/03 |
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Behind
Thought the Light Shines Bright
The audience are invited to enter a darkened space that contains 60 empty
light sockets suspended in the air. The audience participate by choosing
a bulb from a box, make an inscription on its surface and insert it into
an empty light socket, illuminating the personal message. November 2005 |
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The
Glasshouse is a performance project created by Kindle Theatre
based upon the legacy of the historic Chances Glass Factory which had far
reaching consequences for both the development of Smethwick and the production
of innovative glass for worldwide applications. June 2006 |
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where
do I go from here? - 60
suspended speakers, each with a small blue light attached, surround three
circular pools of water. In the pools a video image is projected whilst
the whisper of voices reverberate throughout the space. Produced while Artist
in Residence at Durham Cathedral 2000 - 2001 |
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Perfect
World - Produced as part of Bit Parts commissions of
new media work across the West Midland. Perfect world is two films that
reflect peoples’ perceptions about Gulf War II, globalisation, and
thoughts about the possibilities of living in a perfect world. |
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The
Glass - Using reworked found images and sounds,
aspects of the complex relationship between the west and the 'developing'
world - political, social and economic- are explored. Developed as both
an interactive CD-ROM and an exhibition. Produced as part of Mphil project
at the University of Derby. The Glass - 1997-2000
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Guillermo
Gómez-Peña
Master Class
- In May/June 2004 I participated in a week-long Master Class
and Salon Performance led by the international artist Guillermo Gómez-Peña,
supported by Emiko Lewis.
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Sounding
The Black Country
- A collaborative with sound artist Annie Mahtani that explores perceptions
of the Black Country through an installation comprising dynamic sound and
image. Through a circle of 6 speakers local people speak of their own sense
of belonging to the area. These voices are combined with a dramatic soundtrack
and large scale colour imagery. |
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The
Salt Passages - Based upon the recorded conversations
of people in the Teesside area of northeast England, this CD-ROM
and installation project combines interactivity, video and sound to reflect
upon a rapidly changing social landscape.
Produced artist in residence at the VR and
Innovation Centre, University of Teesside. 1998-9 |
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flow
- life changing moments of 8 participants are recorded, edited and played
back through 8 large suspended speakers which surround a large pool of water.
A video image is projected into the water depicting scenes from daily life
in the city of Derby. Commissioned by Q-Arts and produced in collaboration
with media artist Sean Clark. 2000 |
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Passage
- the conversations and environmental sounds which formed the Salt Passages
project are reworked into a 15 minute soundscape. Commissioned to mark the
LIVE.STOCK ram/fm event, broadcast from The ARC, Stockton-on-Tees, this
projected was produced in collaboration with sound artist Bobby Bird. 2000
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Birmingham
Frequencies - short interactive pieces featuring
sounds, images and video clips, developed to CD-ROM to accompany the release
of the audio CD Birmingham Frequencies. This CD marked the acclaimed collaboration
between the Higher Intelligence Agency (Birmingham) and Biosphere (Norway),
part of which took the form of a live performance at the top of the landmark
Rotunda Building in Birmingham. 1997 |
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earlier
projects
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